Editorial and Advertising Illustration

For Mother Jones Magazine on “Why We Hate Women’s Voices — and how I reclaimed mine.”

For MIT Technology Review, “When my dad got sick, I started googling grief. Then the algorithm wouldn't let me escape it.”

For the New York Times - "Attack of the 50-Foot A.I." Is artificial intelligence really on the brink of sapience? Should we be afraid?

For The Markup, “Suicide Hotlines Promise Anonymity. Dozens of Their Websites Send Sensitive Data to Facebook"

For The Baffler, "The Fourth Person" by Adam Cavanaugh, where "a clerk is tasked with recording the decay of a three-hundred-year-old man."

Cover, Back, and Interior Flaps for Astra Magazine, second edition - "Filth"

For The New Yorker - The Sterile Spectacle of “Dune: Part Two”

Cover, Back, and Interior Flaps for Astra Magazine, second edition - "Filth"

Album Artwork for composer Erich Barganier, "Geisslerlieder"

Guitar pick designed for People Places Records

"The 5 Stages of Human Decomposition"

For The Baffler, illustrating a fiction "Natural Man," by Levi Dunning, where "a heroin user trying to kick the habit is being pursued by targeted Deepfake ads of his father, who is a cowboy."

“How AI can help us understand how cells work — and cure diseases” for MIT Technology Review

Music Covers for Producer Yppah "By Then It'll Be Too Late"

For Composer Paolo Marchettini's Album "Ebony Chats"

Cover Art for Producer Minnesota's "Bicycle Day" 2021

Cover Art for Producer Minnesota's "Bicycle Day" 2022

Album Cover for "All Smokes No Mirrors"

Project for Switch Creative advertising the release of CNN+

"We Will Meet in a Hologram of Love" Poster for the indie film "Corridor"

For The New York Times on "5 Things We Know About Flying This Summer" Post-Pandemic 2021

For New York Times, "The Era of Happy Silicon Valley Tech Workers is Over"

For the New York Times, "Why The Tonys Need a Best Ensemble Award"

For Mother Jones: The Abortion Pill’s Secret Money Men: The untold story of the private equity investors behind Mifeprex.

Art for the new release of Adobe Fresco, 2022

For Art of the Title, portrait of Gretchen Felker-Martin - the author of many horror books such as "Manhunt" and "Cuckoo"

For WIRED Magazine on “Can Democracy Include a World Beyond Humans? A truly planetary politics would extend decisionmaking to animals, ecosystems, and potentially AI."